Decades before Breaking Bad, Narcos, or Mayans M.C., BRUJERIA put the world of cartels and ritualistic murder on wax with a brutal power equivalent to when Compton arrived in pop culture via NWA.
BRUJERIA emerged, shrouded in mystery and infamy, in 1989. They forcefully introduced phrases like Matando Güeros, La Migra, Marijuana y Brujerizmo into the lexicon of extreme subcultures from hardcore punk to death metal. The brutal death grind band from Mexico came to represent the notoriously violent world of illegal drug trafficking, vicious retaliation, and a sinister syncretism between Afro-Caribbean sorcery like Palo Mayombe and Santeria with outright demonic possession.
They brandish rifles and machetes. Most importantly, they’re armed with an arsenal of brutal riffs.
Piñata Protest is a “Tex-Mex punk” band from San Antonio, TX. Their self described sound and attitude arises from the two counter-clashing worlds that the band embraces: punk and Tex-Mex.
Piñata Protest’s unique and catchy sound takes the traditional folk rhythms of Tex-Mex music (conjunto and norteño music that is native to the South-Texas and Nortern-Mexican region they originate from) along with the three-row button accordion and combine that with the fast tempos and attitude of punk rock, ska, and many other genres. Along with the use of traditional instruments and rhythms the band also sings in their regional mix of Spanish and English (or Spanglishas it’s called locally). Their songs lyrics cover a range of topics, from political topics close to the ethno-identities of the band, drinking, love, religion, and racism.
